For a good long while, Hulu has been recommending The Librarians to me. I finally decided to take it up on the offer.
The premise of The Librarians is that magic is real but hidden, and there's a secret Library that holds powerful magic apart from the world so it can't cause havoc. A Librarian is chosen to watch over the collection, go out and retrieve magical artifacts from the wild, and generally stop Bad Things from happening. Magic was on the decline for a long time, allowing technology to come to the fore, but recently has made a resurgence. The Library has multiple Librarians for the first time in centuries, and a Guardian chosen to keep watch over all of them. Weekly adventures ensue!
That all sounds fairly generic and derivative, and this is fact the case. Hidden practitioners of magic in the modern world can be found all over fantasy literature/media. A team of heroes having to learn to work together while saving the world is even more common. But those are familiar tropes for a reason...do them well, and the result is really entertaining. And The Librarians pulls it off.
Mostly this is a adventure-of-the-week series. Each of the four seasons has a Big Bad villain to defeat, but they don't show up every week, and outside the start and end of the season they play a minor role. There's all the usual magical plot suspects - hauntings, regular people gone power-mad, evil masterminds taking towns captive, etc. Villains are often literary or mythical figures, playing off stories we're all familiar with. Again, we see this stuff all the time for a reason...it works when it's implemented well. There were a few episodes where even I had a hard time suspending belief, but for the most part things held together well enough.
Where The Librarians really shines, in my opinion, is the characters (and the actors who portray them, all excellent performances). Initially, the Librarian Flynn and his newly appointed (and very skeptical) Guardian Eve Baird are chasing down an evil mastermind. They're rapidly joined by three other Librarians, each of which have both significant abilities and character flaws, and the immortal Library caretaker Jenkins. Before long, Flynn goes off on his own - he reminds me of The Doctor from Doctor Who, incredibly clever and capable but ridiculously flighty - and the core team of Baird with three inexperienced Librarians and Jenkins is formed.
Every formulaic weekly episode is made entertaining largely by the way that those five characters (six on the occasions that Flynn comes back for a while) interact with each other and the villains. Stone finding historical clues, Jones circumventing security systems, Cassandra doing some crazy math in her head, and Baird keeping them all in line. There's a lot of character growth over the seasons and more than a few surprises along the way. Not too crazy with the surprises, though...it's a family show, after all, and nothing too terribly upsetting happens.
I had a lot of fun watching The Librarians, though I'm glad it ended when it did. By the time the finale rolled around, I felt the characters had changed enough that they were having trouble maintaining the team dynamic that made it so entertaining. The show wrapped up before that key component could degenerate too far, and in my opinion that worked out very well.
Wednesday, February 27, 2019
Tuesday, February 26, 2019
Folding Beijing by Hao Jingfang
Folding Beijing by Hao Jingfang
My rating: 4 of 5 stars
Folding Beijing makes no effort to obscure its theme of economic inequality taken to an extreme position. A entire city of millions of people, engineered to share space among three populations. The privileged First World has the lion's share of time and the lowest population density; the Third World is overcrowded with little time for anything but drudgery; with a Second World somewhere in the middle.
The protagonist Lao Dao visits all three worlds during the story. This novelette is short enough that there's no need to recap the plot in a review; almost as quick to just read it yourself! Besides, much more important than the plot is the attitudes of the people involved.
Those we meet in the Third World are either resigned to their place in life, or in Lao Dao's case, doing everything possible to give his child a chance at a better future. In the Second World, they aspire to advancement into the First World. And in the First World, they take privilege for granted, rarely if ever considering the plight of those who serve to support their lifestyle. Well, rarely except when making sure to keep the masses busy so they have no time to consider another way of life.
More than the story itself, what I really enjoyed about Folding Beijing is how it shines a light on the upper/middle/lower class structure of society. It's taken to an extreme, of course, but it's not difficult to map the motivations of the various characters onto the way we see people acting in our own society today. Read it for an opportunity to recognize how society can stratify; and hopefully it prompts us to consider alternatives.
My rating: 4 of 5 stars
Folding Beijing makes no effort to obscure its theme of economic inequality taken to an extreme position. A entire city of millions of people, engineered to share space among three populations. The privileged First World has the lion's share of time and the lowest population density; the Third World is overcrowded with little time for anything but drudgery; with a Second World somewhere in the middle.
The protagonist Lao Dao visits all three worlds during the story. This novelette is short enough that there's no need to recap the plot in a review; almost as quick to just read it yourself! Besides, much more important than the plot is the attitudes of the people involved.
Those we meet in the Third World are either resigned to their place in life, or in Lao Dao's case, doing everything possible to give his child a chance at a better future. In the Second World, they aspire to advancement into the First World. And in the First World, they take privilege for granted, rarely if ever considering the plight of those who serve to support their lifestyle. Well, rarely except when making sure to keep the masses busy so they have no time to consider another way of life.
More than the story itself, what I really enjoyed about Folding Beijing is how it shines a light on the upper/middle/lower class structure of society. It's taken to an extreme, of course, but it's not difficult to map the motivations of the various characters onto the way we see people acting in our own society today. Read it for an opportunity to recognize how society can stratify; and hopefully it prompts us to consider alternatives.
Labels:
books,
science fiction
Monday, February 4, 2019
The Robotech Novels by Jack McKinney
Robotech may have started in television animation, but what really made me a fan was the series of novels written by "Jack McKinney" in the late 1980s.
Robotech is pure space opera which is heavy on a "love conquers all" theme. There's some lip service paid to how people end up out in space or flying planes that turn into giant robots, but the real reason is effectively "magic." Magic in the form of "protoculture" in the case of Robotech, a substance that does strange things to people's minds as well as enabling crazy technological advances. Perhaps "protoculture" even has an awareness and agenda of its own. I've labeled this post science fiction because that's how Robotech is categorized when you go looking for the books or videos, but don't be fooled - it's an epic fantasy, with all the romance/tragedy/adventure that implies.
That's not to say, however, that Robotech uses mystical "protoculture" solely to manufacture happy endings. The initial alien attack against humanity doesn't end with humans beating back the assault. Not all the star-crossed lovers get a perfect happy ending. Earth is in pretty bad shape, humans and aliens have to learn to live together, and later on the planet ends up conquered by yet another alien race. People die, lots of them, including a few that the reader knows pretty well. By the time the series wraps up with The End of the Circle there has been plenty of good news, but the journey is certainly not all roses and rainbows.
The Robotech novels are roughly divided into four sections: the Macross Saga, the Sentinels, the war with the Robotech Masters, and the Invid Invasion. Three of those correspond to the three seasons of the television series; the fourth, the Sentinels, was going to be a sequel television series but never made it to air. Then you have three novels that fill in gaps between the four major parts, and The End of the Circle that takes the story beyond the various TV series timelines to wrap it all up. (That last is specific to the novels, since the animation went another way with Robotech: The Shadow Chronicles. I much prefer the story of the novels to the animation.) If that sounds like a lot of reading, you're right: 21 books in all. Though many are fairly short as novels go, that's still a whole lot of words. A reader has to really enjoy the universe and characters to make it all the way through that kind of verbiage.
Those three "fill in the gaps" novels were new to me, as they were written after the rest. By the time those three came out, I'd already finished the rest of the series, and at the time I never even looked for additions. Of course, that was 25 years ago, so my memory of the details is hazy at best. I'd been thinking about re-reading the series, curious as to whether I would still enjoy it a couple of decades later. When I saw the books were available on Amazon for the Kindle, that gave me the excuse I was looking for to read the whole series in chronological order. (Well, all but one were e-books. For arcane reasons of publication rights, The Masters' Gambit is only available in dead-tree format, and out of print to boot. Had to order that one from a used book store, and it cost nearly as much as the entire rest of the series combined!)
Those quotation marks around the author's name up above are there because there was no actual Jack McKinney - the name is a pseudonym used by American authors James Luceno and Brian Daley. I had no idea of this when I first read the books, of course. As a sci-fi obsessed teenager, I didn't much care where the stories came from!
Novelization of television is a tricky thing. You have to describe in words what people simply absorb by watching, while still capturing whatever tension and emotion the sound and visuals evoke. You also get the opportunity to expand on things that didn't make it on screen for whatever reason (often time or budget constraints). And you need to find a way to explain some of the more absurd things that happen; on screen it might go by quickly, but in writing there's always time to stop and say "wait a minute, they did what?" (Inasmuch as explanations are possible...some of the scripting was just too absurd to really explain.) No one is perfect, but I think the authors did an outstanding job on all those fronts in these novels. I read them before I'd watched the television series. When I finally did see some of it (never did watch the entire thing), I mostly felt underwhelmed, because I felt I knew so much more from the books than what was shown on screen. This is particularly true in the character motivations and internal struggles. There are a lot of insecurities that are explicitly laid out in the novels which humanize the characters - Rick in particular - that didn't really come across on screen.
Robotech is pure space opera which is heavy on a "love conquers all" theme. There's some lip service paid to how people end up out in space or flying planes that turn into giant robots, but the real reason is effectively "magic." Magic in the form of "protoculture" in the case of Robotech, a substance that does strange things to people's minds as well as enabling crazy technological advances. Perhaps "protoculture" even has an awareness and agenda of its own. I've labeled this post science fiction because that's how Robotech is categorized when you go looking for the books or videos, but don't be fooled - it's an epic fantasy, with all the romance/tragedy/adventure that implies.
That's not to say, however, that Robotech uses mystical "protoculture" solely to manufacture happy endings. The initial alien attack against humanity doesn't end with humans beating back the assault. Not all the star-crossed lovers get a perfect happy ending. Earth is in pretty bad shape, humans and aliens have to learn to live together, and later on the planet ends up conquered by yet another alien race. People die, lots of them, including a few that the reader knows pretty well. By the time the series wraps up with The End of the Circle there has been plenty of good news, but the journey is certainly not all roses and rainbows.
The Robotech novels are roughly divided into four sections: the Macross Saga, the Sentinels, the war with the Robotech Masters, and the Invid Invasion. Three of those correspond to the three seasons of the television series; the fourth, the Sentinels, was going to be a sequel television series but never made it to air. Then you have three novels that fill in gaps between the four major parts, and The End of the Circle that takes the story beyond the various TV series timelines to wrap it all up. (That last is specific to the novels, since the animation went another way with Robotech: The Shadow Chronicles. I much prefer the story of the novels to the animation.) If that sounds like a lot of reading, you're right: 21 books in all. Though many are fairly short as novels go, that's still a whole lot of words. A reader has to really enjoy the universe and characters to make it all the way through that kind of verbiage.
Those three "fill in the gaps" novels were new to me, as they were written after the rest. By the time those three came out, I'd already finished the rest of the series, and at the time I never even looked for additions. Of course, that was 25 years ago, so my memory of the details is hazy at best. I'd been thinking about re-reading the series, curious as to whether I would still enjoy it a couple of decades later. When I saw the books were available on Amazon for the Kindle, that gave me the excuse I was looking for to read the whole series in chronological order. (Well, all but one were e-books. For arcane reasons of publication rights, The Masters' Gambit is only available in dead-tree format, and out of print to boot. Had to order that one from a used book store, and it cost nearly as much as the entire rest of the series combined!)
Those quotation marks around the author's name up above are there because there was no actual Jack McKinney - the name is a pseudonym used by American authors James Luceno and Brian Daley. I had no idea of this when I first read the books, of course. As a sci-fi obsessed teenager, I didn't much care where the stories came from!
Novelization of television is a tricky thing. You have to describe in words what people simply absorb by watching, while still capturing whatever tension and emotion the sound and visuals evoke. You also get the opportunity to expand on things that didn't make it on screen for whatever reason (often time or budget constraints). And you need to find a way to explain some of the more absurd things that happen; on screen it might go by quickly, but in writing there's always time to stop and say "wait a minute, they did what?" (Inasmuch as explanations are possible...some of the scripting was just too absurd to really explain.) No one is perfect, but I think the authors did an outstanding job on all those fronts in these novels. I read them before I'd watched the television series. When I finally did see some of it (never did watch the entire thing), I mostly felt underwhelmed, because I felt I knew so much more from the books than what was shown on screen. This is particularly true in the character motivations and internal struggles. There are a lot of insecurities that are explicitly laid out in the novels which humanize the characters - Rick in particular - that didn't really come across on screen.
Those characters are key to the Robotech franchise, at least for me. Don't get me wrong, it's not like the latest type of giant robot or the fate of invading alien armies do nothing for me...wouldn't be reading this series otherwise. But honestly, I cared at least as much (maybe more) about what happened to Rick Hunter or Dana Sterling or Scott Bernard as those big-picture questions. Unlike a lot of stories that started as cartoons, these characters have some depth and history as you work your way through the series. I especially appreciate that some pretty important people die off - the whole series basically takes place during wartime, and not everyone makes it through. Losing some people along the way gives those who remain that much more depth.
I should also mention Macross here, since Robotech and Macross are two offshoots of the same initial story. They have transforming space fighters and giant fortresses in common, and of course the original series characters. However, they go very different directions past that. Robotech focuses on the power of protoculture (a tangible thing derived from weird plants), the various factions and races fighting over it, and how it changes everyone and everything it touches. Macross treats protoculture as a concept based on ancient civilizations, and power largely comes from heroes finding strength within (often by singing). In my opinion, Robotech is the better story, but you really need to read the novels to get that story. Based on all the watching I've done, I'd rate Macross as the better anime series. So if you're looking for something to watch, go with Macross; for something to read, pick Robotech.
Having now read the Robotech novels twice, I feel qualified to say that the series ages well. The first time around, my teenage self was mostly interested in the giant battles and major events directing the epic sweep of history through the series. During this second reading as an adult, I found myself much more interested in the individuals at the heart of the story, and how the authors tied together the various phases of the story into a coherent whole. Regardless of where you are in life, the series is certainly aimed at a niche audience that loves epic fantastic adventure, futuristic mecha battles, and romantic underdog victories. If you fit that description, then you'll get plenty of enjoyment out of the Robotech novels.
I should also mention Macross here, since Robotech and Macross are two offshoots of the same initial story. They have transforming space fighters and giant fortresses in common, and of course the original series characters. However, they go very different directions past that. Robotech focuses on the power of protoculture (a tangible thing derived from weird plants), the various factions and races fighting over it, and how it changes everyone and everything it touches. Macross treats protoculture as a concept based on ancient civilizations, and power largely comes from heroes finding strength within (often by singing). In my opinion, Robotech is the better story, but you really need to read the novels to get that story. Based on all the watching I've done, I'd rate Macross as the better anime series. So if you're looking for something to watch, go with Macross; for something to read, pick Robotech.
Having now read the Robotech novels twice, I feel qualified to say that the series ages well. The first time around, my teenage self was mostly interested in the giant battles and major events directing the epic sweep of history through the series. During this second reading as an adult, I found myself much more interested in the individuals at the heart of the story, and how the authors tied together the various phases of the story into a coherent whole. Regardless of where you are in life, the series is certainly aimed at a niche audience that loves epic fantastic adventure, futuristic mecha battles, and romantic underdog victories. If you fit that description, then you'll get plenty of enjoyment out of the Robotech novels.
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