Orphan Black

The main thing I learned from watching Orphan Black is that Tatiana Maslany must be a serious workaholic. She deserves that Emmy and the other awards she's garnered from playing half the roles on the show.

Orphan Black is a contemporary science fiction thriller series based on the idea that a shadowy cabal is messing around with the human body. Clones, DNA manipulation, body modifications. Over the five seasons, the characters go from blissfully ignorant to deeply involved, one layer of evil masterminds after another.

This kind of sci-fi thriller isn't a new formula, of course, but it's a solid premise if executed well. Which Orphan Black is, especially in the first 3 seasons. There's plenty of intrigue and mystery with interesting characters. Anyone who's read some sci-fi in this genre won't be too surprised by the larger plot points - there were several "big reveal" points that I saw coming a mile away - but it's still a fun ride getting there. I wasn't as impressed with the last 2 seasons in terms of plot, largely because it's just hard to sustain the suspension of disbelief as the stakes keep going higher. Eventually you become kind of numb to the ever-escalating danger and crazy mad science.

But that's all right, because there are plenty of great characters to follow into those last couple of seasons: several clones, their various friends and family, recurring villains, and new bad guys showing up on a regular basis. It's not always clear which people fall into which category, either, which is great. Keeps things really interesting when you're aren't entirely sure who is on which side. And even among the main characters who are clearly working together, there's plenty of interpersonal tension and drama, largely driven by the fact that just about everyone is flawed in some way.

What makes Orphan Black really unique is how Tatiana Maslany plays all those clone roles. There are four primary recurring characters, and at least five others with lesser roles. Each is a separate character, with their own personalities and appearances (and accents, usually). I thought she did an excellent job of really giving each one a unique feel, so that the viewer really sees them as different people. It's especially impressive when she plays one clone trying to pretend to be a different one, looking uncomfortable and purposely not-quite-perfectly mimicking mannerisms.

I had a great time watching Orphan Black, even when the plot-lines got a bit hard to swallow in the later seasons. Still a great show that I'd recommend to anyone who likes the sci-fi thriller genre.

The Americans (FX)

I'd considered starting The Americans a few different times over the last few years, but there was always something else available to watch. Figured I might as well just wait until the show finished its run, which happened earlier this year.

The Americans is a Cold War era spy thriller, set in the 1980s. A pair of Soviet agents comes to America under assumed identities in the 1960s and sets about living normal lives. By the 1980s when the first season starts, Phillip and Elizabeth Jennings have two kids and are basically indistinguishable from your average suburban couple. Using their travel agency jobs as cover, they perform various espionage missions right under the noses of American counterintelligence.

In addition to the deep-cover family, other characters in the espionage game fill out the cast. An FBI agent lives next door, there are various sources and informants, and several of the Soviet embassy staff become important figures. I enjoyed seeing focus on characters from both sides of the undercover conflict. As you'd expect, there's a high turnover rate...not a safe profession, the spy game.

Spy shenanigans take up about half the plot, and I found most of it to be well written. Sure, you have to suspend your disbelief about the premise of the super-deep-cover setup, and the main characters miraculously survive all kinds of danger on a weekly basis. But that's par for the course on almost any television series. A lot of the spy action is centered around development of personal relationships with individual sources, but there's also plenty of sneaking around and even a few gun battles and car chases.

The time period in the 1980s makes it easier to accept all the disguises and sneaking, although I suppose modern spy thrillers manage the same even in today's cameras-everywhere society. Each season has some kind of big theme for the spying, from stealth aircraft to improved food crops, drawn from the big stories of the time. It was fun to see how the writers worked with the time period, from those significant plot points down to minor references like classic video games.

The other half of the plot comes from all the emotional angst that you'd expect in this kind of situation. Who is sleeping with whom, what lies are being told, the stress of hiding activities from your family and friends, and so on. I found it all interesting at first, though eventually it starts to wear thin. I thought the writers did a pretty good job of showing how the stress of the spy lifestyle wears people down over time, but in so doing there's a ton of repetition.

After about three seasons, I was more than ready for the Jennings family to finally move on from spies to whatever was next, good or bad. I'd kind of hoped that would happen in the fourth or fifth season, but instead it just dragged on in more or less the same vein. Some significant changes did finally happen throughout the final sixth season, which was the best since the first in my opinion. The last episode leaves a lot of loose ends, but there was enough resolved to make it a good series finale.

I'm glad to have watched The Americans, though I think they let it go on too long. If they'd wrapped it up around 4 seasons, that would have been about perfect.

Bonfire by Krysten Ritter

Bonfire by Krysten Ritter
My rating: 4 of 5 stars

When I listened to an interview with Krysten Ritter (on NPR's Wait Wait Don't Tell Me), I was expecting some discussion of her acting, from shows like Jessica Jones and Breaking Bad. There was some of that, but I was surprised to also hear that she was promoting a book called Bonfire. So I had to check it out.

Bonfire is set in rural Indiana, where Chicago lawyer Abby Williams is returning to her hometown to investigate the local industrial firm for failing to comply with environmental regulations. It's not a happy homecoming for Abby, who left behind unhappy memories and broken relationships when she left after high school. Conducting the investigation dredges up the unwelcome
past, and in the end reveals both current and past misdeeds.

Abby's mental state is just as important in Bonfire as the facts of her investigation. There are points in the book where she seems on the brink of complete collapse, and she certainly leans heavily on the booze to deal with her situation. Abby is a flawed character who doesn't always choose the best option for dealing with her problems, but I thought Ritter did a fine job of bringing her feelings and struggles to life.

I enjoyed Ritter's writing style, which I found easy to read and engrossing. She makes good use of short chapters that encourage the reader to keep going for just one more...and one more, and one more. The momentum of the storyline built fairly consistently, such that I never felt impatient for something new to happen. I did feel that the last twist that revealed the final villain was a bit obvious, but I enjoyed the journey enough that it didn't bother me.

I already knew that I liked Krysten Ritter's work in front of a camera. Now I'll be keeping an eye out for her work with a pen as well.